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🌇It has been way too long since my last post. Not shooting has been a drag, but after a sixth month stay in Europe, I had to settle back in and find work. So happy to be back in Philadelphia! 🌇 #blog
I have a few questions that I hope some of you bloggers can answer for me.
- How many of you use some form of auto-posting to publicize your post? I use IFTTT recipes and as convenient and great as they are, I am starting to get the feeling that it’s noticeable and has negative effects on my readership. Essentially, it looks impersonal and something done out of habit, which I don’t think holds a very high appeal rating. When I think about it, the steps it would take to personalize a tweet, for example, would only take a minute longer. But instead of having some weird, automated “hey look at this” tweet, I could say something about the post, maybe add in an appropriate hashtag, and actually tweet at somebody if necessary.
- What photo challenges would y’all recommend getting into on WP? I have a lot of processed-and-ready-to-post photographs that I think would benefit from being tagged with some sort of challenge instead of the redundant “here’s a photo from there” formula. I just wanted to spruce up my blogging and make it more interesting for myself and whoever is reading this!
- Who is using the WPTouch plugin? I’m going to add it after I post this because it looks awesome. Anything I should know about it?
I’ve been waiting awhile to get this shot and I was really it got dark enough today to open the shutter for 30 seconds with no filters! #blog
via Instagram http://ift.tt/1fVZJcO
There really is an art to posting on any social media platform, but I always think there is something special about WordPress. Maybe it’s because I started photo-blogging right as I began shooting around with my first DSLR. It was pretty easy for a then high school aged newbie to engage in a dialogue within the photo community. I wouldn’t say I learned everything from WordPress, but I’ve met some interesting people, I’ve been inspired by a lot of different artists’ works, and I’ve really taken away a lot of learned experience from the general blogging journey.
It’s nice to be back into the swing of things on WordPress, just because I find that some of these posts are longer than other posts on Instagram or Twitter (obviously). There’s really no limit to how I can express myself and rant on what I’m engaged in with my photography. The more time spent on both posting and reading other blogs is evidently rewarding!
So to everyone that has been engaging with me, especially those of you that have been for a long time, I really appreciate the WordPress love! And I look forward to reciprocating it in the future!
There are many instances where I think too much devotion and credit is given to social media. One of my biggest pet peeves is seeing “activist” groups on Facebook try to get “likes” to change the world. That’s nice, I guess, in terms of raising awareness. But there is a difference between the social capital found in the virtual world and IRL (in real life)…
What does it really mean for an amateur photoblogger to have x amount of followers? It’s easy to answer that in light of a professional photography: money plays. But none of my artwork is for sale; I’m not in it for the money. So what is to be gained from networking online? Facebook friends, Twitter and Instagram followers, and whoever reads this on WordPress -only a few of these individuals engage with me face to face. I don’t find these types of relationships to be as gratifying as real-world relationships. I hope that doesn’t offend anyone, but in terms of a healthy lifestyle, I think that physical contacts are superior. But in the instance where those superficial followers can become real-world acquaintances, I think social media can be incredibly valuable.
In the months leading up to my departure for Ireland, I was going through different online social mediums to find local photographers to follow. I stalked their photos and got some destinations in mind. There are plenty of photo opportunities throughout the Irish countryside and that became more apparent the more I got out and shot. But while researching, I noticed that most photographers were based somewhere and not in Galway. Then I found “Galway Pete,” whose work I fell in love with the moment I checked out his online portfolio. Maybe I’m still a newbie in terms of photography, but when I see someone’s work that I admire, I really do think, “Wow! I’d love to shoot around with this guy, see how they work, what equipment they use etc.” Again, despite how much I’ve learned online, I think there is something valuable about a hands-on approach to photography.
For anyone not familiar with Ireland, it’s not the easiest country to get around with a limited and expensive bus system. Apparently, in the past few years, the major motorways that were constructed amount to small roads back in America. These “improvements” don’t really do much in terms of increasing accessibility, but I guess they reduce the time between major urban areas, which are basically Dublin, Galway, and Cork. So finding a local “fixer” was a priority upon arriving here. After some re-tweeting, liking, and generic Twitter conversations, I had contacted Peter and set a date to go out and shoot Connemara. It might strike Americans as odd at how easy and familiar that process seems. But Ireland is such a small country that people really are who they say they are. That “have your guard up” mentality is quite unnecessary here; I guess it’s because communities are so tightly knit.
We headed out of Galway into some pretty relentless rain. There are many attitudes that photographers can have when they interact. In some circles, unfortunately, I detect a lot of condescension, probably due to competition. But Peter was really comfortable with how he shot and was completely open to sharing his opinions on equipment, techniques, and his general philosophy when it comes to photography. I think it’s the last part that comes through in a face-to-face relationship. Sure, online you can view someone’s portfolio, and I guess ultimately, this is what matters if you want pictures. But it’d be pretty miserable if a bride’s wedding photographer was a jerk and ruined her day.
I really got the best of both worlds: great photographer and Irishman. Having a local show you around is something I’ve recently learned to treasure after some extensive traveling. I’ve been reading up on art and photography and relationships are what the more keen artists denote as important in their process. Two pieces of advice that Peter shared with me, (and I hope he doesn’t mind me repeating!) really stuck out to me. The first was to never shoot what another photographer dictates as the right way. His wording didn’t really make this tip as much of an absolute that I am making it out to be. But if you’re motivated by someone else’s mindset, or anything other than your own internal drive, then are you really an artist? This is definitely different from motivation or a passive type of influence. But it brings me to his second point: amateurs have the potential to create better work than the pros. I thought this was an interesting tidbit, just because so many people incorrectly assume that the most expensive equipment, which presumably pros have better access to with their photo-related income, churn out the best shots. The relationships that many pros make are, well, professional. And that basically means the motivation is profession driven –ahem, money. I don’t think there is anything wrong with that. But it’s definitely in this category of online, virtual, and financial.
Despite the poor weather, I think Peter and I got a few good shots. I went a little crazy with the edits, just because Connemara itself is a really wild landscape. I want to give a huge (virtual) thank you to Peter for the nearly perfect day! Be sure to check out his website and to follow him on Twitter! If your work is great, you’re bound to get a re-tweet at the very least.
Well, my time here in Ireland has flown by and I am staring down the last month I have left abroad. In retrospect, my workflow didn’t translate all too well when I started traveling, hence, I didn’t have too many posts. What posts I did have were compromised of low-res iPhone shots. That’s nice to an extent, but now I have a lot of work to catch up on, starting with the insane amount of RAW files I have sitting on a hard drive.
Dust spots. I am incredibly angry at how many dust spots there are on my sensor. I was treating this used Canon 5D like a baby and was even using one of those nasal spray devices to clean the sensor with air and gravity…I know for a fact the dust wasn’t from my lenses. So even after today’s cleaning, I was still disappointed to find the usual suspects in the same spots. Any photographers out there know what I should do? I don’t have any sufficient cleaning supplies, besides what I’d use on my lens.
I have been alone a whole lot on this trip, something I did not anticipate valuing as much as I do now. But in most cases, I didn’t bring my bulky tripod. So in order to shoot these self-portraits, a new sub-genre I’ve become found of after visiting so many art museums throughout Europe, I had to prop my camera on whatever I could. Then, with the 10 second timer counting down, I’d have to dart to my desired position, with the focus locked on wherever my butt would be. For the above shot, I slipped into the lake a few times; even though the image was shot with a 50mm (close to what our eyes see), I think I was further away from the camera than it seems. So I really had to rush out before the timer went off and compose myself quickly.
Family members wanted me to be in some of the photos I was taking, but the awkwardly spaced iPhone selfie was not appropriate for what I wanted to capture. In both instances, these images were intended to portray the feeling I got while being there instead of what the viewer him/herself sees when viewing the photograph.
With that being said, I’m looking forward to getting back to posting more routinely!